Those still interested in my ongoing investigation into the organized escape and revenge of Adolf Hitler with the help of Allen Dulles and Ronald Reagan will want to look into my Casablanca Film Project which will be airing no later than January 2012.
There is no film more important to study for the semiotic information. The way that HitlerReagan encrypted this notorious film dedicated to the romance of America’s victory in World War Two was as a traitor and an enemy. The risk HitlerReagan ran was high, and long swaths of the film pass with no allusion as to their depth content, the Hitler mustache on Roosevelt’s newspaper image passes in the blink of an eye. The foul tips however are abundant in this film where every gesture signifies a chess game of human sympathy and treachery. Three sinister figures leave their imprimatur very starkly on this film in the macabre backdrops used: Boris Karloff, Salvador Dali and Alfred Hitchcock, all conspirators for the leader of the Third Reich.
The Casablanca Film Project will be dedicated to explaining and illustrating visually the tapestry used and the meaning, the stripes of Ingmar Bergman’s dress when she arrives in a rice hat styled bonnet, a needle on the wall of a staircase, the doublecross signifying the Free French and its appearance at the table of a doublecrossing woman, the target over the passenger side of the last car’s chasis, the true meaning of both the getaway plane and the two men walking side by side seen through the mirror of Legosi.
The ecclesiastical mysterian decision had already been made. Bergman was marked as a communist, two-timing women, danger to us all. Peter Lorre affects as a precursor one of Reagan’s drag car era cronies, Eddie Haskell, and it is clear that Lorre did such a fine job as a man hiding something, because he was.
The Queerwarden Clinton’s case against AliasLittleBoy is empowered by a vicious invasion of privacy and hunlike slander used to rape and torture, full knowing my innocence, leading in the end to nothing but his own depraved, godawful mighty leer. Rescue by these vicious forces, led by Obama, is no longer acceptable.
The bondage “SKOOL” that I was kidnapped to was one in which I was attacked and recruited compulsory format-wise by blindside brutality, a blitz by a man called Kasper. One can only hiss at SSenator Harrkin. The rapist is from Hollywood and needed only one social complainer. She was easy to find. You see in their case ledger a letter I wrote, what you are forbidden to see was her own licentious behavior. Things might have turned out far, far better for me if I performed as a son of the military rather than as a sensitive lesbian. The rapist is a defender of mass murder who now calls himself the victim and demands the West surrender to Hitler through the prison of his ego and new age weapon from Alpha Centauri, just like that crooked story of a bird HitlerReagan left behind. Behind all this is a glowering schlink capable of germ warfare against an innocent American. Put nothing past these LongKnives characters.
thechinatowngazetteer 